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Version history. Version Fixed: When switching from x equirectangular to rectilinear projection, the Compression slider would be set to a nonzero value. Linux: added install and uninstall scripts. To install, extract the downloaded archive and run install. This will add PTGui to the desktop environment and register its file types.

Added support for Leica. This omission is now fixed. A new field was added to Project Settings – Template Behavior to control whether the camera curve is copied from the template. By default the camera curve is copied except when working with RAW images. See the tooltip in Project Settings – Template Behavior for more information. Fixed: Disabling the option ‘Automatically check for software updates’ didn’t work. After restarting PTGui, the automatic update check would be enabled again.

This should no longer happen. Fixed: Banding artifacts could be visible for certain panoramas when using GPU acceleration on macs with Apple Silicon. This caused the panorama to be opened in the wrong direction. The correct value is This caused stitching to take longer than needed. Fixed: Running Align Images on bracketed dual fisheye images from one shot panoramic cameras could unlevel the panorama if it was already leveled using accelerometer data.

The Linux version now also supports using a calibrated monitor. The Windows and macOS versions already supported calibrated displays through the operating system’s display color settings.

Fixed: Windows: when using multiple monitors with different color profiles, the colors were not updated when dragging a window between different monitors. Fixed: Windows: if individual layers were output as separate files, not a layered Photoshop file , PTGui would abort with an error if there were more than source images.

The maximum has been raised to Fixed: certain. Fixed: PTGui could crash when clicking the filter dropdown list in the Control Points editor if the project contained many hundreds of source images. Previously it would optimize the curve if the project contained different exposures not necessarily brackets but this lead to problems if tonemapped Av images were used. The default behavior can be overridden by explicitly selecting ‘Generate new’.

On Windows 11 buttons now have rounded corners. Fixed a bug that could cause PTGui to crash occasionally. Fixed: possible blending artifacts when outputting at larger than optimum size. Fixed: seams in the rendered panorama could be different from the preview when using Multiband blending. Fixed: errors could pop up if a calibrated display profile was used under windows. Fixed: The ‘Masking pushes back seams’ setting would be changed after saving and loading the project, or when applying a template.

It will now load the image and ignore malformed GPS data. Fixed: PTGui web viewer: if the fullscreen button was not shown, double tapping would still switch to fullscreen. This could cause other elements in the web page to malfunction.

Fixed: Wrong colors when processing source images with certain color profiles and GPU acceleration enabled. Fixed: In light colored theme, the little triangle in the panorama editor for adjusting the grid would be invisible.

Some performance improvements, in particular when GPU acceleration is not used. Added sensor sizes of new cameras. Fixed: Cropping circle of the TTArtisan 11mm lens only visible on medium format camera was set too small.

Fixed: In the panorama editor, in ‘edit individual images’ mode, when hovering over images, the wrong image would flash briefly. Fixed: If the Batch Builder was used without a template, bracketed images would not be linked automatically. Fixed: Apply Template did not copy the Post Process settings to the project.

Fixed: Blending artifacts if the option ‘Red masks: use only to adjust seams’ was selected. Fixed: possible Assertion Failed errors for some projects Version For an overview of the most important changes see What’s new in PTGui Automatic optimum seam placement: PTGui Pro 12 will analyze the regions where images overlap, and place the seams in those areas where there is the least difference between the overlapping images.

It will attempt to automatically route the seams around moving objects. Also, stitching errors from parallax will be hidden as much as possible. New ‘zero overlap’ blending algorithm: blending is done by minimizing the exposure differences at the seams where the images meet. No overlap is needed and pixels outside the seams are not used. Combined with the new optimum seam placement this is able to create absolutely seamless panoramas even of busy scenes with many moving objects.

The Multiband blending algorithm used in PTGui 11 and earlier is still available as an option. PTGui Pro 11 and earlier would use the reverse workflow: create blend planes for each exposure level, then merge to HDR.

Both options are now possible. The new workflow permits creating HDR panoramas from images taken in automatic exposure mode. The purpose of linking images has changed: in PTGui Pro 11, linked images would get the same yaw, pitch and roll angles but linking did not otherwise affect HDR processing.

In PTGui Pro 12, linking the images will tell PTGui Pro that they belong to the same bracketed set but they don’t necessarily have the exact same yaw, pitch and roll. In the ‘create blend planes’ workflow, linking is also necessary because it tells PTGui to place the seam identically for these images. This is important because differently placed seams would cause artifacts when merging the blend planes to HDR.

Because linking the images in PTGui 12 no longer automatically gives them the same yaw, pitch and roll angles, a separate ‘Link’ checkbox has been added to the Image Parameters tab. If unchecked, the bracketed images will have different yaw, pitch and roll angles. The stitching pipeline uses floating point data internally and any panorama, bracketed or not, can be rendered to HDR formats such as OpenEXR.

If enabled, all transparent areas in the panorama will be filled with a smooth color gradient matching the surrounding areas. While not not a true replacement for patching in an external image editor, it works well for example for filling up the blue sky in a drone panorama.

Or it can be used as a quick way to cover the nadir of a spherical panorama. PTGui 12 is fully color managed. Color profiles in source images are recognized and images will be displayed properly on screen. PTGui can transform between color spaces; the desired target color profile can be selected in the Create Panorama tab. PTGui has been ported to Linux. A PTGui license is platform independent, so a single license now allows you to run PTGui on all major desktop operating systems.

For more information see ptgui. A new Post Processing side bar was added to the Panorama Editor for adjusting the toning curve, white balance and saturation. This is useful in particular when working with RAW source images. PTGui Pro: The behavior of red masks is configurable. Previously red masked areas would always be made transparent in the warped image layers. This would result in a hole in the blended panorama if no other image overlaps. By setting ‘Red Masks: Use only to adjust seams’, the mask will not result in transparency, it is only used to guide seam placement.

The grid crosshair in the Panorama Editor can be hidden entirely, by clicking the little triangle below the panorama in the Panorama Editor.

Improved metadata support: most XMP metadata is now copied from the first source image to the panorama. This includes for example author, location, copyright info and custom XMP data. Generally all XMP metadata is copied, except for metadata specific to the source image but not applicable to the panorama. For example metadata concerning focal length or the image size is not copied to the panorama, but replaced with appropriate values for the stitched image.

Metadata is now written to Photoshop files as well. Previously this was limited to jpeg and tiff output. This controls the location of the seams if optimum seam finding is disabled and masks are placed.

If this option is checked, a mask will ‘push’ the seam away as was the case in PTGui Pro If disabled, the seam will stay close to the middle of the overlap area even if masks are nearby. Handling of the camera response curve has been changed. The camera curve must be known for proper vignetting correction and HDR processing, because these operations are done on the actual linear luminance values.

In order to determine the actual luminance of each pixel, PTGui needs to know this curve, so it can ‘undo’ this adjustment. Previously the camera curve was part of the lens profile, but this was not ideal. Secondly, when a project uses multiple lenses on a single camera, a single curve should be used for all images. Therefore the camera curve is now a separate entity in the project. Each project can contain 0 or more camera curves.

In the Image Parameters tab, the camera curve for each source image can be selected, or ‘Linear’ can be selected if the image data is already linear and should not be corrected with a camera curve. For all other types a default curve will be used.

 

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Version history. Version Fixed: When switching from x equirectangular to rectilinear projection, the Compression slider would be set to a nonzero value. Linux: added install and uninstall scripts. To install, extract the downloaded archive and run install. This will add PTGui to the desktop environment and register its file types. Added support for Leica. This omission is now fixed. A new field was added to Project Settings – Template Behavior to control whether the camera curve is copied from the template.

By default the camera curve is copied except when working with RAW images. See the tooltip in Project Settings – Template Behavior for more information.

Fixed: Disabling the option ‘Automatically check for software updates’ didn’t work. After restarting PTGui, the automatic update check would be enabled again. This should no longer happen. Fixed: Banding artifacts could be visible for certain panoramas when using GPU acceleration on macs with Apple Silicon.

This caused the panorama to be opened in the wrong direction. The correct value is This caused stitching to take longer than needed. Fixed: Running Align Images on bracketed dual fisheye images from one shot panoramic cameras could unlevel the panorama if it was already leveled using accelerometer data.

The Linux version now also supports using a calibrated monitor. The Windows and macOS versions already supported calibrated displays through the operating system’s display color settings.

Fixed: Windows: when using multiple monitors with different color profiles, the colors were not updated when dragging a window between different monitors. Fixed: Windows: if individual layers were output as separate files, not a layered Photoshop file , PTGui would abort with an error if there were more than source images.

The maximum has been raised to Fixed: certain. Fixed: PTGui could crash when clicking the filter dropdown list in the Control Points editor if the project contained many hundreds of source images. Previously it would optimize the curve if the project contained different exposures not necessarily brackets but this lead to problems if tonemapped Av images were used.

The default behavior can be overridden by explicitly selecting ‘Generate new’. On Windows 11 buttons now have rounded corners. Fixed a bug that could cause PTGui to crash occasionally. Fixed: possible blending artifacts when outputting at larger than optimum size. Fixed: seams in the rendered panorama could be different from the preview when using Multiband blending.

Fixed: errors could pop up if a calibrated display profile was used under windows. Fixed: The ‘Masking pushes back seams’ setting would be changed after saving and loading the project, or when applying a template. It will now load the image and ignore malformed GPS data. Fixed: PTGui web viewer: if the fullscreen button was not shown, double tapping would still switch to fullscreen.

This could cause other elements in the web page to malfunction. Fixed: Wrong colors when processing source images with certain color profiles and GPU acceleration enabled.

Fixed: In light colored theme, the little triangle in the panorama editor for adjusting the grid would be invisible. Some performance improvements, in particular when GPU acceleration is not used. Added sensor sizes of new cameras. Fixed: Cropping circle of the TTArtisan 11mm lens only visible on medium format camera was set too small. Fixed: In the panorama editor, in ‘edit individual images’ mode, when hovering over images, the wrong image would flash briefly.

Fixed: If the Batch Builder was used without a template, bracketed images would not be linked automatically. Fixed: Apply Template did not copy the Post Process settings to the project.

Fixed: Blending artifacts if the option ‘Red masks: use only to adjust seams’ was selected. Fixed: possible Assertion Failed errors for some projects Version For an overview of the most important changes see What’s new in PTGui Automatic optimum seam placement: PTGui Pro 12 will analyze the regions where images overlap, and place the seams in those areas where there is the least difference between the overlapping images.

It will attempt to automatically route the seams around moving objects. Also, stitching errors from parallax will be hidden as much as possible. New ‘zero overlap’ blending algorithm: blending is done by minimizing the exposure differences at the seams where the images meet.

No overlap is needed and pixels outside the seams are not used. Combined with the new optimum seam placement this is able to create absolutely seamless panoramas even of busy scenes with many moving objects. The Multiband blending algorithm used in PTGui 11 and earlier is still available as an option. PTGui Pro 11 and earlier would use the reverse workflow: create blend planes for each exposure level, then merge to HDR.

Both options are now possible. The new workflow permits creating HDR panoramas from images taken in automatic exposure mode. The purpose of linking images has changed: in PTGui Pro 11, linked images would get the same yaw, pitch and roll angles but linking did not otherwise affect HDR processing.

In PTGui Pro 12, linking the images will tell PTGui Pro that they belong to the same bracketed set but they don’t necessarily have the exact same yaw, pitch and roll. In the ‘create blend planes’ workflow, linking is also necessary because it tells PTGui to place the seam identically for these images. This is important because differently placed seams would cause artifacts when merging the blend planes to HDR. Because linking the images in PTGui 12 no longer automatically gives them the same yaw, pitch and roll angles, a separate ‘Link’ checkbox has been added to the Image Parameters tab.

If unchecked, the bracketed images will have different yaw, pitch and roll angles. The stitching pipeline uses floating point data internally and any panorama, bracketed or not, can be rendered to HDR formats such as OpenEXR. If enabled, all transparent areas in the panorama will be filled with a smooth color gradient matching the surrounding areas.

While not not a true replacement for patching in an external image editor, it works well for example for filling up the blue sky in a drone panorama. Or it can be used as a quick way to cover the nadir of a spherical panorama. PTGui 12 is fully color managed.

Color profiles in source images are recognized and images will be displayed properly on screen. PTGui can transform between color spaces; the desired target color profile can be selected in the Create Panorama tab. PTGui has been ported to Linux. A PTGui license is platform independent, so a single license now allows you to run PTGui on all major desktop operating systems.

For more information see ptgui. A new Post Processing side bar was added to the Panorama Editor for adjusting the toning curve, white balance and saturation. This is useful in particular when working with RAW source images. PTGui Pro: The behavior of red masks is configurable. Previously red masked areas would always be made transparent in the warped image layers. This would result in a hole in the blended panorama if no other image overlaps. By setting ‘Red Masks: Use only to adjust seams’, the mask will not result in transparency, it is only used to guide seam placement.

The grid crosshair in the Panorama Editor can be hidden entirely, by clicking the little triangle below the panorama in the Panorama Editor. Improved metadata support: most XMP metadata is now copied from the first source image to the panorama. This includes for example author, location, copyright info and custom XMP data. Generally all XMP metadata is copied, except for metadata specific to the source image but not applicable to the panorama.

For example metadata concerning focal length or the image size is not copied to the panorama, but replaced with appropriate values for the stitched image. Metadata is now written to Photoshop files as well. Previously this was limited to jpeg and tiff output.

This controls the location of the seams if optimum seam finding is disabled and masks are placed. If this option is checked, a mask will ‘push’ the seam away as was the case in PTGui Pro If disabled, the seam will stay close to the middle of the overlap area even if masks are nearby. Handling of the camera response curve has been changed.

The camera curve must be known for proper vignetting correction and HDR processing, because these operations are done on the actual linear luminance values. In order to determine the actual luminance of each pixel, PTGui needs to know this curve, so it can ‘undo’ this adjustment. Previously the camera curve was part of the lens profile, but this was not ideal. Secondly, when a project uses multiple lenses on a single camera, a single curve should be used for all images.

Therefore the camera curve is now a separate entity in the project. Each project can contain 0 or more camera curves. In the Image Parameters tab, the camera curve for each source image can be selected, or ‘Linear’ can be selected if the image data is already linear and should not be corrected with a camera curve. For all other types a default curve will be used. The optimization requires bracketed images, because the estimate is made by comparing the same pixel in differently exposed images.

In PTGui 11 the curve was defined against the pixel values as stored in the image file; in PTGui 12 it is defined against the linearized image data according to the ICC profile. The ICC profile’s gamma is no longer included in the camera response curve. New white balance correction algorithm.

White balance is now adjusted by setting a Kelvin color temperature for each image in Image Parameters tab and a color temperature for the blended panorama.

The latter can be adjusted in the Post Process tab. A chromatic adaptation algorithm is used to transform the colors. The contrast and saturation sliders have been removed from the Tone Mapping section.

These are replaced by the new Toning Curve and Saturation adjustments in the Post Process tab, which offer more precise control, and are available also when tone mapping is not used. Conform the official OpenEXR specification, the color profile is read and written in the ‘chromaticities’ tag. But note that this is not widely supported. Many other applications including Photoshop ignore this entirely, and assume all. The PTGui Viewer application is now color managed and will display panoramas in the proper colors.

Previously, for all lens types, the right edge of the graphs corresponds to the corner of the source image after cropping. For circular fisheye images the graph is adjusted so that the right hand side corresponds to the edge of the image circle. Full float can be used for images with extremely high dynamic range for example when including the Sun’s luminance. Otherwise half float is sufficient, requires less memory and is the default setting.

New setting: Project Settings – ‘Align Images’ behavior – perform automatic exposure and color adjustment – but only if alignment was successful. Automatic exposure and color adjustment is now done by default as part of ‘Align Images’. Preview exposure is reset to 0 when the project is loaded the next time. This was a common source of confusion because it changes the brightness of the panorama in the Panorama Editor but not the actual stitched panorama. A warning icon is shown in the Panorama Editor’s side bar if the preview exposure is nonzero.

The former two options Full and Fine Tune have been replaced by a single option ‘Enabled’. Added support for Sony. ARQ files Version Until now PTGui had to custom draw the window frame in order to get a dark themed window.

This solves a few display glitches and will provide better compatibility with future Windows updates. This may be helpful when dealing with GPU driver bugs. All sliders can be moved slower and more precisely by holding down the Shift key while dragging with the mouse, or by holding down Shift while pressing the Arrow keys.

PTGui is now compatible with macOS Fixed: GPS altitude in the metadata would be incorrectly set to Above Sea Level, if the actual value is below sea level. Fixed: ‘assertion failed’ errors when working with greyscale single channel images, for example from thermal cameras. When stationary, the image disappeared. All newly created web pages from Publish to Website will use the new version of the viewer. Existing published panoramas can be updated by replacing PTGuiViewer. Fixed: when moving the mouse in the Control Points tab, the mouse cursor and magnifier would be lagging behind Version If enabled, the image will be mirrored.

Mirroring is done after shifting and cropping the image, so the orientation of lens shift and cropping are not affected. This was added to support cameras like QooCam, which generate mirrored image files. Fixed: a black line could be visible in the images generated by Publish to Website, if tiles were generated at a smaller than optimum size Fixed: artifacts ‘blocky’ images on nvidia GPUs when using lens parameters with a fisheye factor very close to zero Fixed: ‘assert failed’ error if the blending mode was set to Alpha Blending and the blender subsequently set to SmartBlend Fixed: occasional crash while using GPU acceleration Version PTGui can now load Canon.

CR3 files and GoPro. GPR files. For details see LibRaw snapshot. This is used when merging bracketed images in the True HDR workflow. Use it to remove excessive image noise that might appear in HDR panoramas generated from relatively noisy images e. See the tooltip for the Noise Floor slider for more information. Fixed: If a set of images with a repeating exposure sequence was loaded, and ‘This is not an HDR exposure set. Do not enable HDR mode’ was selected, the control point generator could still treat it as an HDR exposure sequence and only generate control points between images having the same exposure.

Fixed: a fresh installation of PTGui could occasionally have the tooltips disabled. To fix this for everyone, this update will always enable tooltips even if they were disabled previously.

It now works as expected. Still, this setting only has effect if the batch stitcher was not yet open. If the batch stitcher was already open e. Fixed: levelling a panorama would not work perfectly if the project contains viewpoint corrected images.

PTGui now ignores viewpoint corrected images when levelling provided there are at least 3 images without viewpoint correction. Fixed: PTGui would crash when loading a. It’s still necessary to create a template once for your specific camera. See Q6. Fixed: If a set of images is loaded with a repeating exposure sequence, and ‘This is not an HDR exposure set. Do not enable HDR mode’ is selected, the control point generator would still treat it as an HDR exposure sequence and only generate control points between images having the same exposure.

Added lens parameters for Entaniya HAL PL fisheye Fixed: error “Attempt to put a negative value into an unsigned container” when entering a negative compass angle in the Metadata tab. New option: File – Append Other Project. This appends the images, control points and lens data from another project to the current project.

RAF raw files ‘unknown camera or no exif data’ Version DCRaw remains available as a fallback option. Even with this improvement, it’s still necessary to create a template for your specific camera.

Support for camera orientation sensor for automatic levelling. Mi Sphere and Z1 images will be levelled automatically. A set of images from DJI drones will be pre-aligned when starting a new project. Dual fisheye images from one-shot cameras : the first image is now placed in the center of the panorama. Previously the two images were placed at the left and right hand side of the equirectangular image.

With the new placement it’s easier to inspect the seams. This is useful if the images have been positioned using orientation sensor data: the template will fine tune the relative alignment of the images, without affecting the overall levelling of the panorama.

If enabled, the project file will be deleted as soon as the panorama has been stitched. This is useful if a large number of project files is generated taking some time. Added sensor size data of new cameras Fixed: PTGui Viewer on macOS would show a cropped part of the viewer after resizing or maximizing the window. Fixed: exposure data was not read from images from Insta One X Fixed: ‘assert failed’ error when using SmartBlend, if one of the source images was completely outside the visible area of the panorama Fixed: Batch Builder no longer asks ‘PTGui found Would you like to add these to your project as well?

Fixed: raw images could not be loaded if the file names contain non-western characters. This could cause extreme highlights e. More information Fixed: if ‘enable HDR but do not link the images’ was selected, Align Images would ask again whether HDR mode should be enabled and whether images should be linked. Added Czech translation by Matej Svec thanks!

Updated Russian translation thanks Magomed Khaybulaev! Added camera sensor sizes of new cameras. These lenses exist in multiple variants; the appropriate focal length must be entered.

Fixed: Olympus ED mm lens was recognized as fisheye instead of rectilinear. Fixed: Crash when working with large gigapixel source images with alpha channel. Fixed: Images from Yi latest firmware were not recognized. Smaller sizes now make up a larger portion of the slider. Added Russian translation thanks Andrey Ilyin! Now it will be marked in the Batch Stitcher as Failed with a red cross.

Fixed: ‘assertion failed’ error when loading images from certain cameras Fixed: layer names in Photoshop output were garbled if they contained non-ascii characters Fixed: numbering for individual image layers in Photoshop output would start from 0 instead of 1 Fixed: individual layers would be output in a different order than in which they appeared in the project.

They now follow the same order again Fixed: when outputting individual layers, PTGui could skip images if they were outside the visible area of the panorama. Now a file or Photoshop layer will be created for every source image. Fixed: crash when deleting all images except one from a set of linked bracketed images Fixed: manually linking images by right clicking in the Source Images tab would change the order of the images.

It will now use the language selected in Preferred Languages in Region and Language. This default language can be overridden in Options. Fixed: Mac: Tools – Open Folder would not open the selected folder, but its parent folder Version This solves the problem, but GPU accelerated stitching will be somewhat slower. This also causes better rejection of control points on moving objects e.

If the output folder for the panorama does not exist, it will be created automatically when stitching the panorama Batch Stitcher: new function File Append Batch List. This adds all projects from the selected Batch List to the currently active Batch List. Batch Builder: if the batch stitcher is still busy stitching the previous Batch List when sending another Batch List to the Batch Stitcher, it will now offer to append the new batch list instead of replacing the active batch list.

Fixed: Lens database associations for GoPro cameras were ignored Fixed: When tone mapping LDR panoramas containing some black areas, the tone mapped panorama could be completely black. Fixed: Importing a PTGui 10 project containing individual lens parameters circular fisheye would result in the wrong lens parameters being assigned Fixed: Under some circumstances, straight lines near the center of a wide angle fisheye image could become curved Fixed: Fill Yaw right click in Image Parameters table didn’t function correctly Fixed: Batch Builder: if the ‘one subfolder per camera’ configuration was used, the images in the generated projects would be sorted by the file names.

This could result in unexpected swapping of images. Images are now sorted by the name of the containing folder. Choose whatever display format fits your taste best: each of the Graphic and Classic formats have three color variations to suit your preferences, while Wallpaper uses one of your own pictures as the background.

Graphic format uses visual displays to show shutter speed and aperture, as well as the mode dial every time you turn it to a new setting. The D60 even recognizes whether you are holding the camera horizontally or vertically, and then automatically displays camera information on the LCD monitor accordingly. Intuitive Menu Navigation The D60 lets you alter settings and functions in many ways. For all the choices it offers, the menu is still amazingly simple and intuitive, with navigation made easy thanks to a carefully considered design.

If you are ever unsure about a specific feature or function, simply press the O button for detailed information. These useful reference images help explain the effect that each function has on your photos — very helpful for exploring new features and making the most of the camera. Creative shooting is just a quick turn away With the D60, you will always be prepared to shoot a wide variety of subject matter. Just turn the mode dial to fit your shooting situation and beautiful results are yours instantly.

A wide variety of in-camera Retouch Menus Even after a picture is taken, the D60 offers ways to explore your creativity further. With a wide range of options to choose from, the quick, simple and extensive Retouch Menu allows you to create a duplicate image with amazing photo effects, leaving the original picture intact. The right touch — Quick Retouch Sometimes you want to make sure that your picture has the best balance of contrast and saturation.

For this, choose the Quick Retouch feature. It creates an automatically retouched copy that has been optimized for better-looking pictures. Original animation — Stop-motion Movie Want more fun out of digital photography? Try making a stop-motion movie from a series of consecutive pictures. Simply select the first and last frames from a sequence of shots. You can easily re-edit before saving it as a movie by changing the starting image or removing specific images.

There are also several size and frame rates to choose from. All operations are quick, simple and do not require a computer. Try the Cross Screen feature to create starbursts radiating from scene highlights. For other options, use Color Balance to modify the entire image, or experiment with Skylight and Warm Filters.

Learn more about this camera at DPReview. The D40’s success which continued long after the D40X made its swift appearance only 6 months later isn’t hard to explain; it was keenly priced, nicely designed and built and capable of excellent results.

It was also a camera that proved cameras do not sell on megapixels alone even at launch its 6MP resolution was far from ‘class leading’. The D40X, which was positioned as a premium alternative to the D40 rather than its replacement, didn’t mess around with the formula much at all; a new sensor with more ten megapixels and a lower base ISO, plus a slightly higher continuous shooting rate.

The D60 is a direct replacement for the D40X the D40 will stay around for a while as Nikon’s budget option , and once again it’s not a major upgrade; the sensor remains the same though now has a dust reduction system and the external design is almost identical.

The lack of a drive motor can be seen by the missing mechanical focus drive pin on the lens mount see images below. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

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Nikon engineers have also dealt with dust and other tiny particles in many other ways to prevent such image degrading material from attaching to the filter or being seen by the sensor when you are taking pictures. With all these measures in place, you can concentrate on getting the shot while exploring the wide array of Nikkor interchangeable lenses that a Nikon digital SLR opens up to you.

Rich, Smooth Detail with Active D-Lighting Sometimes, even a perfectly exposed scene will not render an ideal photograph. With difficult lighting conditions, important details can be lost in the highlights and shadows.

Simply set Active D-Lighting before you start shooting. Active D-Lighting is available when “Matrix” is selected for metering. Eye Sensor The Eye Sensor activates every time you look through the viewfinder, turning off the information display on the LCD for comfortable shooting. Compact, Light and Comfortable The D60 is compact, light and ready to go wherever life takes you. With the D60, however, flash photography is simple, instant and accurate.

With Auto mode, you just point, shoot and let the camera do the rest. Display Format Options The information display in the 2. Choose whatever display format fits your taste best: each of the Graphic and Classic formats have three color variations to suit your preferences, while Wallpaper uses one of your own pictures as the background.

Graphic format uses visual displays to show shutter speed and aperture, as well as the mode dial every time you turn it to a new setting. The D60 even recognizes whether you are holding the camera horizontally or vertically, and then automatically displays camera information on the LCD monitor accordingly.

Intuitive Menu Navigation The D60 lets you alter settings and functions in many ways. For all the choices it offers, the menu is still amazingly simple and intuitive, with navigation made easy thanks to a carefully considered design. If you are ever unsure about a specific feature or function, simply press the O button for detailed information. These useful reference images help explain the effect that each function has on your photos — very helpful for exploring new features and making the most of the camera.

Creative shooting is just a quick turn away With the D60, you will always be prepared to shoot a wide variety of subject matter. Just turn the mode dial to fit your shooting situation and beautiful results are yours instantly.

A wide variety of in-camera Retouch Menus Even after a picture is taken, the D60 offers ways to explore your creativity further. With a wide range of options to choose from, the quick, simple and extensive Retouch Menu allows you to create a duplicate image with amazing photo effects, leaving the original picture intact. The right touch — Quick Retouch Sometimes you want to make sure that your picture has the best balance of contrast and saturation.

For this, choose the Quick Retouch feature. It creates an automatically retouched copy that has been optimized for better-looking pictures. Original animation — Stop-motion Movie Want more fun out of digital photography? Try making a stop-motion movie from a series of consecutive pictures. Simply select the first and last frames from a sequence of shots. You can easily re-edit before saving it as a movie by changing the starting image or removing specific images.

There are also several size and frame rates to choose from. All operations are quick, simple and do not require a computer. Try the Cross Screen feature to create starbursts radiating from scene highlights. For other options, use Color Balance to modify the entire image, or experiment with Skylight and Warm Filters. Learn more about this camera at DPReview. The D40’s success which continued long after the D40X made its swift appearance only 6 months later isn’t hard to explain; it was keenly priced, nicely designed and built and capable of excellent results.

It was also a camera that proved cameras do not sell on megapixels alone even at launch its 6MP resolution was far from ‘class leading’. The D40X, which was positioned as a premium alternative to the D40 rather than its replacement, didn’t mess around with the formula much at all; a new sensor with more ten megapixels and a lower base ISO, plus a slightly higher continuous shooting rate.

The D60 is a direct replacement for the D40X the D40 will stay around for a while as Nikon’s budget option , and once again it’s not a major upgrade; the sensor remains the same though now has a dust reduction system and the external design is almost identical.

The lack of a drive motor can be seen by the missing mechanical focus drive pin on the lens mount see images below. Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.

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Add an Accessory:. Save with Used – Very Good. Ships from: Amazon. Sold by: Wasabi Japan. Very good condition! The inside of the viewfinder is also beautiful. Please check the photo for details.